Dulcimerhead and Daniela Godina on Nik Beat's "Howl" show, April 7, CIUT 89.5FM

This is an exciting experiment -- improvisational music and spoken word poetry, blended together in a spiritual crucible. The result: ECSTATIC ALCHEMY!

Tune in April 7, 2009 to hear Dulcimerhead (David Rankine and Fernando Villalobos) perform live on radio for the first time with chant poet Daniela Godina. They are hosted by Nik Beat on "Howl" -- a radio show on University of Toronto's radio station CIUT 89.5FM. You can also listen in on digital cable, or on your computer by visiting www.myspace.com/nikbeatradiopersonality at 10pm TOMORROW.

Godina is also opening for Dulcimerhead's April 11th "Dark Mandala" CD Launch Party Concert and will be leading a drum circle at their all-day free family Arts Exposition, Spiritfest: Celebrating Creativity in support of the York Region Food Network. Her work is powerfully essential in its impact, carried in her resonant voice, the mythic images she weaves into her words, and her djembe self-accompaniment.



So, tune in for the big experiment. You will not believe these people have never played together before. Witnessing their live performance in concert is absolutely necessary. For more details, please visit www.davidrankineart.com/Events.htm Tickets for the "Dark Mandala" concert are $20 each; Families $40; kids under 10 free! Silent auction in support of York Region Food Network. Please consider bringing a non-perishable food donation! And of course, admission to the all-day Art Exposition -- with free workshops, performances, art projects and a wonderful vendors' market with artisans, henna body art, intuitive readers and energy workers, is completely FREE.


View Dulcimerhead's EPK

Awesome Opera House gig -- see the video!

View Dulcimerhead's EPK

March 18, 2009 -- a showcase at the Opera House in Toronto -- an unprecedented opportunity to see Dulcimerhead and Skorched on the same stage. Dulcimerhead was sounding heavy that night! Quite a different venue for the band, but they filled the old vaudeville hall with a wall of big sound as pink and green smoke swirled around their heads. Fernando played a full drum kit for 3 of the 4 tunes -- including Dark Mandala, the title track from their new CD. He returned to the djembe for Circles, for a truly awesome solo that has been captured on YouTube http://www.youtube.com/watch?v=fjGU3VNTFVk&feature=related

Although Dave's dulcimer remained melodic, it never sounded badder than it did this evening, powerchords pounding out of the huge stacks. Smashing through Persian Trance, Axis of Love -- gentle crowd favourites reworked into super-velocitized progressive rock tracks. Hard to believe this band got started in coffeehouses! Definitely ready for the concert stage, armed with a CD full of fresh new material, Dulcimerhead is launching their Dark Mandala CD with a huge party and concert at the Old Town Hall in Newmarket, April 11th. Tickets are $20 and include a copy of Dark Mandala! They are also featuring some exciting special guests: poet percussionist Daniela Godina and Jason Pfeiffer. This is going to be an extremely intense concert where certain portals are sure to be opened... Not To Be Missed.

What can I say about Skorched? They took the stage. No, I mean they TOOK it. Like when you say "The Huns took Asia." There is some video evidence, but their sheer power completely overloaded the camera mike and left the YouTube videos just a pale vestige, basically only raw white noise left. And that is why I bought the demo, folks. Because they can really play! You should check out their tunes at www.myspace.com/skorchedmetal

Today's message: OBTAIN TICKETS TO THE DULCIMERHEAD CD LAUNCH PARTY AND CONCERT APRIL 11TH, 2009 AT 7:30PM!
AND .... BE PREPARED TO EXPERIENCE SOMETHING AMAZING!!!

If you are in a groovy creative mood and want to see a rich pageant of artists, healers, activists and performers, be sure to take in the Spiritfest: Celebrating Creativity event earlier the same day, same place. This is Dulcimerhead's salute to Cultural Creatives, in support of the York Region Food Network. It's an all-day free festival. For details, please visit www.davidrankineart.com/Events.htm

Creativity Feeds People!

Spiritfest: Celebrating Creativity with Dulcimerhead
in support of the York Region Food Network

April 11th, 2009
Old Town Hall, Newmarket
11:00am to 4:30pm

Dulcimerhead is the musical art project of David Rankine, a well-known local artist. You can see and hear more about this original independent Canadian band at www.myspace.com/dulcimerhead1

Dulcimerhead does more than just create music; it is a cultural manifesto which says that creativity is very important to people, and that we are building community via music and art. We value the York Region Food Network because quite simply, you have to feed the body before you can feed the mind or the spirit.

Creativity is the ultimate renewable resource, and with creativity, we can feed people. Community gardens are only one example of the ways YRFN takes “nothing” and uses creative human activity to generate healthy food and awareness of the hunger issue in York Region. We do not accept that people should be hungry in this affluent region, nor that hungry people should be marginalized and made to feel that they have to hide in shame.

In 2006, Dulcimerhead represented the YRFN with an information booth and promoted your work on Rogers Daytime television and in performance at the Windfall Ecology festival. Dulcimerhead also collected food donations and had a silent auction for one of Dave’s paintings at their concert in June in support of YRFN. The auction raised funds and gave us the opportunity to promote YRFN’s work during the concert intermission.

In 2007, Dulcimerhead had a December concert which collected food donations and had a second silent auction in support of YRFN – sadly there was a severe weather warning so attendance was quite low.

But we are trying again! And this time, we have a number of very creative people working with us to create an event to celebrate art, creative activity AND the importance of feeding people’s bodies, minds and spirits during challenging times.

We want to work with the York Region Food Network to make this festival a community-building occasion, focussed on raising funds and raising awareness of hunger issues in York Region while celebrating human creativity.

WATCH THIS SPACE FOR MAJOR APRIL EVENT!!!

Dulcimerhead and some very special friends are launching a BRAVE CREATIVE MANIFESTO and you're invited! It's a HAPPENING. Be part of it. Details in two days!

Join the Dulcimer Revolution: Meet the Dulcimer in Dulcimerhead

Joni Mitchell's Blue album made the Appalachian dulcimer super cool in the sixties. Its “voice” gave clear notes and emotional texture to her most personal album. Today, Dulcimerhead takes the instrument to electric realms it has rarely seen before, inspired by sources like Persian and Celtic dance, sixties psychedelia and the rebellious mod hopping of the mighty Who.



It's a fact that dulcimers are closely associated with traditional Appalachian folk music. It is actually one of the only musical instruments indigenous to North America. Here is a fact I did not know: Pete Seeger's father Charles was the first musicologist to consider the dulcimer to be worthy of attention in its own right, but only as recently as 1958. That puts Joni Mitchell well ahead of the curve on that trend. She always was an iconoclastic type. :)

So let's take some time to really get down and intimate with this simple yet emotive instrument -- also known as the "hog fiddle" or "music box." With only four strings, it can still sing a melody that will move your heart.



I learned more interesting history from Lucy M. Long's site http://www.bearmeadow.com/smi/histof.htm

Dave's dulcimer has stood up to all kinds of punishment over the years -- it was constructed by noted Canadian luthier Peter Cox. You can find Cox at music festivals like the Celtic Roots Festival in Goderich and Summerfolk in Owen Sound. He handcrafts a variety of less well-known stringed instruments such as citterns, bowed psalteries, mandolas and of course guitars and mandolins. http://www.petercox.ca


Dave’s dulcimer is even more beautiful because it was hand-illuminated… by Dave. He does harps and drums too, folks!

One amazing dulcimer player we just found on YouTube is Bing Futch, from Orlando Florida. He hosts a podcast called Dulcimerica and just clearly loves to play! He praises the “progressive and emotive” sound of the electricized dulcimer. You have just got to hear his original tunes -- and check out the cool little dulcimer rocket at the beginning of each podcast. Just great uplifting music. I'm a subscriber! http://www.youtube.com/user/dread66mon


What’s great about the dulcimer is you can make a nice sound on one without a lot of training, which is why it probably became a mainstay in group music making -- you can pick up new songs fast in a community setting, and it's very portable. Dave says you can't make a bad note on one – which goes along with his art philosophy that “there are no mistakes.” With four strings, you can start strumming happily right away; in the Appalachian folk tradition, people used boiled goose quills as picks, to create a kind of droning accompaniment for the vocal melody line. You can't play all the notes and chords of a guitar, but you can embellish with grace notes and slide notes -- very similar texture to Dave's Highland piping experience.

So -- add some electric powerchords and some feedback, some heavy duty percussion, some synergistic musical influences and you have -- Dulcimerhead! True to the dulcimer tradition, they are building community through music.

Check Dulcimerhead's latest sounds out at http://www.davidrankineart.com/Dulcimerhead.htm today!

Dulcimerhead Drummer Speaks! Or, How Inferno Got His Name

Hey Folks!

Today: a rare look at Fernando Villalobos, high-energy percussion engine of Dulcimerhead and man of many genres. You'll find him playing with Dulcimerhead at the Sharon Temple one day, and playing with Skorched at the Kathedral's “Glory Through Steel” Metalfest event the next.

“I don't know what made me want to play drums,” he says. “All of a sudden when I turned 14 I decided I must play the drums. I'm happy that I came to that conclusion. It's helped me get through a lot of times that I wouldn't have gotten through otherwise.” His parents gave him his first kit for his 15^th birthday on the condition that he take lessons. He's come a long way since then, adding a djembe a year later, and recently acquiring a digital kit which he says is making it a lot easier to record demo CDs with both his bands.

Skorched is bringing out their first demo this month!!! Go get one at their gigs. And Dulcimerhead is releasing Dark Mandala this month!!! Just don't try listening to them at the same time...

So, the obvious question is – Dulcimerhead and Skorched sound um, extremely different in their musical approaches. Are they? Fernando laughs. “Aside from the obvious – that with Skorched I am pounding the shit out of a drumkit and with Dulcimerhead I am playing a djembe in kind of a trance – with Dulcimerhead I tend to be very relaxed, while playing with Skorched is like an electrical charge and I'm really revved up. The crowds may look a little different, but they do mix back and forth a bit!”

A Skorched gig is like taking a blast from a firehose of sound – they can really play! But I have to ask, on behalf of all the moms out there, what the heck is up with “death metal” and “black metal” as a musical genre. It sounds morbid. Should I be worried? Fernando laughs some more. “The music is extremely abrasive and lyrical content does tend to be violent and obscene, but typically the people who listen to it are very nice people! It's like watching a very gory horror movie or reading a graphic horror book. It's almost like poetry; it's pretty cool but to the outsider it's scary.To those who understand it, it's another form of art.”

Fernando says the metal community is the best he's been in, because the bands all tend to support each other. “They like to come out and see each other play, enjoy good music and good company. If a band needs a replacement member in an emergency, people will pass the word in the community and make sure they find what they need. His philosophy is basically “Mutual respect among musicians and enjoyment of the music.” His preferred music includes Slayer, Pantera, Chimaira, Meshuggah, Arch Enemy, Strapping Young Lad, DevilDriver, Fear Factory and many others.

His first band was Toxic-Culture, which he started up at age 17. Then at 19 he started playing with Heavily Medicated, a band that played regularly and got an enthusiastic following locally, opening for Strapping Young Lad in 2006. He met the two guys he would soon be playing with in Skorched – Tim (guitar) and Darryl (bass) – in a band called Shangrila. Fernando spent some time going between the two bands, but eventually he and Tim and Darryl formed another band called Krakatoa, which then morphed into Skorched. Their singer Sid and Devin on guitar rounded out that lineup.

To find out more about the whole Skorched phenomenon, check out myspace.com/skorchedmetal.

“What's great about Skorched is that we get along great and enjoy playing loud, heavy, fast music together,” says Fernando. The band members all bring skills to the band that make it work, he added. Many of the band members have day jobs or families that make it tough to find practice time and recording time. However, they are getting some good shows and the demo is a real milestone for them because they did it all themselves.

See them in Toronto at Lee's Palace February 25^th!

Fernando's plan for world domination: “conquer the world through music, make my living through music! I promised myself that one day music would free me from my day jobs.” His day jobs have not just been tough, they've been dangerous. He is a certified welder with 4 years experience, and after 4 years he's had enough. “I've been set on fire about 13 times,” he laughed, and began reminiscing about a particular day when his not-so-fire-resistant overalls went up in flames. “I felt hotter than usual and smelling smoke, but I was running a bead and I couldn't stop – when I was finished, I took off my mask and found the front of my overalls had caught fire and the flames were creeping up my chest...maybe thats why I was given the name INFERNO.” He moved to working in home renovation which was going well until the recent economic downturn hit his employer hard. To bounce back financially, he is currently planning to explore even more new musical territory when he launches a kick-ass rock cover band with Skorched bandmate Tim – their working title is End of Silence.

Synaesthesia -- an amazing perspective!

Hello Folks!

At David Rankine's workshops and concerts, he often talks about synaesthesia -- the mind's ability to intake information from one sense but experience it via another -- to give only two examples, he will talk about the "colour" of a note, or how to "play" one's mandala. Now here's some exciting stuff about why we would bother doing this, and what is means to try.

I was very grateful to Andrew M for tipping me off about the CBC interview with George Stromboulopoulos and Daniel Tammet. (link below). This person, Daniel Tammet, describes himself as an autistic savant, but happily because of his own insight and powers of observation, he has trained himself to interact and communicate with others. The reward for his efforts has been the ability to communicate about his way of processing information and memory -- via synaesthesia. He shows a great gentleness and generosity of spirit, even though I am sure his struggle was not easy.

When you consider the brain is constantly accepting millions of bits of information from our "sensor array" (I try to resist using machine metaphors for this miraculous organ, but it's hard!) -- and the fact that we really can't process more than a couple of thousand via conscious mind, it makes sense that the unprocessed information is still available to us somehow.

Both Tammet and Rankine comment frequently that synaesthesia is available and normal when we are infants, but it is "beaten out of us." Our mind discriminates between what is useful and not useful, gradually screening out less useful info and losing the capacity to deal with it. And of course our early learning opportunities can frequently accomplish this process MUCH faster and unpleasantly, giving us a sort of unasked-for aversion therapy to synaesthetic processing or reflection. I belong to probably the last generation where teachers could force you to stop using your left hand in favour of the right hand in kindergarten! (And don't even get me started on the issue of learning disabilities -- that is a blog or 100 blogs in itself. I have one, and also an MA in Applied Language Studies. Dumb luck, and don't I know it.)

The implications for synaesthesia for people with so-called learning disabilities and neurocognitive processing problems are HUGE. I am off to obtain a copy of Tammet's book, Born on a Blue Day, and Embracing the Wide Sky. He is saying that he believes anyone can relearn their capacity for synaesthesia, and I mean to find out!

Tammet also has applied what he knows of his own process, to learning languages via patterns that he sees. His most famous ability helped him do a record-setting recitation of Pi to several thousands decimal places, which took over five hours to say -- but what REALLY knocks me out is the PORTRAIT he has painted of how he SEES the number Pi. As you know, this is a fairly mystical number representing the relationship between the circumference and diameter of a circle -- it is an irrational number, running to an apparently infinite number of decimal places with NO repeat or pattern in digits.

Coupled with recent studies in the brain's ability to "be plastic" -- to relearn or redirect processing in a way nobody believed possible -- this is the most fascinating thing!

So when you hear Dulcimerhead music, or attend a David Rankine workshop, or view David Rankine's art -- this is a big part of his project too. When he talks about playing a "blue" note on his dulcimer -- or "playing a mandala" -- this becomes more than creative play. It is tapping more of the creative potential of the brain itself! And I thought it was just fun. :)

Check out David Rankine's ever-expanding playground of music, art and ideas at
www.davidrankineart.com!

CBC 'The Hour' Interview

CBC's 'The Hour' with host George Stroumboulopoulos:

http://www.cbc.ca/thehour/videos.html?id=999589223

I got this off Daniel Trammet's blog Optimnem at http://www.optimnem.co.uk/blog/index.php

Don't you just love this excerpt from the Telegraph (UK) -- I gotta get his book!!!

Tammet quotes from the Borges story “Funes the Memorious”: “He remembered the shapes of the clouds in the south at dawn on April 20, 1882, and he could compare them in his recollection with the marble grain in the design of a leather-bound book which he had seen only once.”